Definition of duḥkha/Sorrow

A very beautiful definition of duḥkha has been given by madhvācārya, the main exponent of the dualistic philosophy, though he himself references this from another text named śabda nirṇaya, judgement on words.

He cites in his bhagavad gita tātparya nirṇaya commentary on verses 14.19-21 the following:

दुःख दुरिति संप्रोक्तं खं नाम सुखमुच्यते | इति शब्दनिर्णये ||
duḥkha duriti saṁproktaṁ khaṁ nāma sukhamucyate | iti śabdanirṇaye ||
Thus stated in the śabdanirṇaya, du represents pain and kha represents pleasure

Here we should take heed that even possessions which provide us initial pleasure will ultimately result in pain in some capacity. Thus the word duḥkha not only comprises of pain or sorrow but also pleasure too.

—-

मध्वाचार्याजी, जो द्वैत वेदान्त के प्रसिद्ध आचार्य है, उसके भगवद्गीता तात्पर्य निर्णय भाष्य में एक आनंद दायक शब्दार्थ दिया है ‘दुःख’ शब्द पर जिसका खोज शब्दनिर्णयमें आता है.

ये वाचंर्मुत भगवद्गीता १४.१९-२१ के तात्पर्य निर्ण भाष्य में है, जिसमे लिखा है:

दुःख दुरिति संप्रोक्तं खं नाम सुखमुच्यते | इति शब्दनिर्णये ||
शब्दनिर्णय कहता है की ‘दु’ दुख है और ‘ख’ सुखका प्रतिक है

हमको यह नित्य स्मरण करना चाहिए के जो वस्तु हमारे अनुपलब्ध और सुख देनेवाली हे अंतिम में वोही तत्त्वों हमको दुःख भी देंगा. इस प्रकार दुख केवल दुख और क्लेश का मूल नहीं परन्तु सुखका भी मूल है.


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[ITRANS] duHkha duriti saMproktaM khaM naama sukhamuchyate . iti shabdanirNaye ..

īśopaniṣat – A comparative study

This series will attempt to compare and analyse the commentarial works of Shamkara, Madhva and A.C Bhaktivedanta on the īśa upaniṣad, thus providing an objective, informative and impartial view on the upaniṣad.

om pūrṇamadaḥ pūrṇamidaṁ pūrṇāt pūrṇamudacyate |
pūrṇasya pūrṇamādāya pūrṇamevāvaśiṣyate ||
om śāṁtiḥ śāṁtiḥ śāṁtiḥ ||

Commencing the work on the Upanishad, Shankara and Madhva introduce the work in their own way. Shankara commences the work by qualifying the range of Upanishads in introducing the knowledge section of Vedas which are devoid of ritualistic performances and action as they serve to reveal the true nature of the Self. Furthermore he suggests that rituals and performance of karma is for those who hanker after the results of karma, whereas the upanishadic texts attempt to remove the ignorance of the individual through the revelation of the true nature of the self.

Madhva commences with a short prayer to Visnu, the spiritual teacher, who gives various divine deities such as Brahma, Siva Indra, including Sri Lakshmi wisdom and energy thus making all entities naturally dependent on him.

Bhaktivedanta, unlike the above does not give a direct introduction before commencing the Upanishad but rather a lecture is presented in the form of an introduction. The introduction gives a brief summary of the ‘teaching of the Vedas’ where he teaches that Vedic knowledge including the upanishads ‘come from the spiritual world’ with the source being ‘from Krishna’. He stresses that if one wishes to have knowledge of the texts ‘one must approach a bona fide spiritual master, a Guru’. The most interesting note regarding the introduction is the synthesis, emphasis and acceptance of Sri Krsna in his words as the ‘supreme personality of Godhead’.

For the commentarial sources for the this series, we will be relying on the following literature:
Eight Upanishads with the commentary of Samkaracarya VOL 1. Translated by Swami Gambhirananda
Sri Madhvacharya Bhashya on the Isha Upanishad with Explanatory Notes. Translated by Nagesh D. Sonde
Sri Isopanisad by A.C Bhaktivedanta Swami Prabhupada

For the Madhva commentary we were going to be using the ‘Isopanisad with the commentaries of Madhvacarya, Vedanta Desika, Baladeva Vidyabhusana, Bhaktivinoda Thakura’, translated by H.H. Bhanu Swami,  however we had found the translation to be highly inaccurate.

The Life of Madhvacharya

Madhvacharya, the main exponent of dvaita philosophy was born in southern Karnataka in a small village of Paajakakshetra near Udipi in the Tulunadu area to a Shivalli Brahmin family. Majority of what is known about Madhvacharya are through a hagiography named Madhvavijaya, the victory of Madhva composed by his devotee and follower, Narayana Panditacharya. Although the biography is highly polemical I will rely on the Madhvavijaya as my source of reference

According to traditional narrations, Madhva was born in response to twelve years of prayer by Madhyageha Bhatt and Vedavati to Lord Ananteshvara. Lord Ananteshvara ordered his chief aide Vayu[1] to incarnate on earth a third[2] time to fulfil the desires of the couple and re-establish Dharma against the false and illusionist philosophies prevalent at the time.

The common consensus regarding the birth of Madhva is 1238 A.D. and in appreciation and gratitude to Lord Ananteshvara they named the child Vasudeva.  According to Madhvavijaya, young Vasudeva showed extraordinary miracles and exceptional ability in studying Sanskrit and various other sciences. From a young age Vasudeva knew his calling was for establishing Dharma and expressed the desire to take renunciation, being the only son the request was swiftly refused by his parents. Nevertheless the young boy persisted for acceptance for a number of years finally being granted permission after Vedavati gave birth to another child.

Vasudeva was granted permission at the age of eleven and had left home in search of a spiritual teacher. Vasudeva was then accepted by Achyuta Preksha as a disciple and was formally ordained as a renunciate named Purna Bodha. Achyuta Preksha knowing the suitability of young Purna Bodha commenced the study of ‘Ishta-Siddhi’, an advaitic text; however Purna Bodha was dissatisfied with the explanation of Ishta-Siddhi in elucidating Vedanta and found thirty-two mistakes and flaws in the text. His Guru being staggered by the observations questioned his disciple regarding various matters with perfect responses in return from the young prodigy explaining his objections and demonstrating the imperfections of the Advaita position. Being in admiration for the intellectual knowledge of young Madhva, Achyuta Preksha conferred on him the title of ‘Ananda Tirtha’, the place of bliss.

Under the request of his teacher and various others, Ananda Tirtha commenced his commentaries on the canonical Vedic treatises[3]. His first commentarial work was on the Bhagavad-Gita. After which he travelled to Badari to study Vedanta and wrote a commentary on the Brahma Sutras under the tutelage Veda Vyasa. The chronology of Madhva writing the Upanishads is fairly vague but it seems safe to suggest that the upanishadic commentaries came subsequent to the Bhagavad-Gita and Brahma Sutras.

Between the ages of eleven and seventy nine, Madhva give discourses on Vedanta, partook in debate, religious congregations, performed miraculous feats and re-established sacred temples. Whilst writing other philosophical treatises and composing many devotional hymns in praise of Lord Vishnu, he established eight monasteries[4] instructing his direct disciples[5] to undertake and manage.

According to Narayana Panditacharya, Madhvacharya disappeared at the age of seventy nine whilst honoured with a shower of flowers from heavenly deities. According to Madhva tradition, Madhva did not die but is considered to be alive and residing in Badrinatha in the Himalayas with his teacher and Lord, Vyasa.


[1] The wind God
[2] Hanuman, Bhima and Madhva
[3] Bhagavad-Gita, Brahma Sutra and the main upanishads
[4] Palimaar(hrishikesha tirtha), Adamaar(narashima tirtha), Krishnapur(janardana tirtha), Putige(upendra tirtha), Sirur(vamana tirtha), Sode(vishnu tirtha), Kaanur(srirama tirtha), Pejaavar(adhokshaja tirtha)
[5] Hrishikesh, Narasimha, Janardana, Upendra, Vaaman, Vishnu, Adhokshaja

The copyright of the article The life of Madhvacharya is owned by the Jigyasa Team. Permission to republish in print or online must be granted by the author in writing.

Dvaita Vedanta – The philosophical school of dualism

The life of Madhvacharya

Madhvacharya, the main exponent of dvaita philosophy was born in southern Karnataka in a small village of Paajakakshetra near Udipi in the Tulunadu area to a Shivalli Brahmin family. Majority of what is known about Madhvacharya are through a hagiography named Madhvavijaya, the victory of Madhva composed by his devotee and follower, Narayana Panditacharya. Although the biography is highly polemical I will rely on the Madhvavijaya as my source of reference

According to traditional narrations, Madhva was born in response to twelve years of prayer by Madhyageha Bhatt and Vedavati to Lord Ananteshvara. Lord Ananteshvara ordered his chief aide Vayu[1] to incarnate on earth a third[2] time to fulfil the desires of the couple and re-establish Dharma against the false and illusionist philosophies prevalent at the time.

The common consensus regarding the birth of Madhva is 1238 A.D. and in appreciation and gratitude to Lord Ananteshvara they named the child Vasudeva.  According to Madhvavijaya, young Vasudeva showed extraordinary miracles and exceptional ability in studying Sanskrit and various other sciences. From a young age Vasudeva knew his calling was for establishing Dharma and expressed the desire to take renunciation, being the only son the request was swiftly refused by his parents. Nevertheless the young boy persisted for acceptance for a number of years finally being granted permission after Vedavati gave birth to another child.

Vasudeva was granted permission at the age of eleven and had left home in search of a spiritual teacher. Vasudeva was then accepted by Achyuta Preksha as a disciple and was formally ordained as a renunciate named Purna Bodha. Achyuta Preksha knowing the suitability of young Purna Bodha commenced the study of ‘Ishta-Siddhi’, an advaitic text; however Purna Bodha was dissatisfied with the explanation of Ishta-Siddhi in elucidating Vedanta and found thirty-two mistakes and flaws in the text. His Guru being staggered by the observations questioned his disciple regarding various matters with perfect responses in return from the young prodigy explaining his objections and demonstrating the imperfections of the Advaita position. Being in admiration for the intellectual knowledge of young Madhva, Achyuta Preksha conferred on him the title of ‘Ananda Tirtha’, the place of bliss.

Under the request of his teacher and various others, Ananda Tirtha commenced his commentaries on the canonical Vedic treatises[3]. His first commentarial work was on the Bhagavad-Gita. After which he travelled to Badari to study Vedanta and wrote a commentary on the Brahma Sutras under the tutelage Veda Vyasa. The chronology of Madhva writing the Upanishads is fairly vague but it seems safe to suggest that the upanishadic commentaries came subsequent to the Bhagavad-Gita and Brahma Sutras.

Between the ages of eleven and seventy nine, Madhva gave discourses on Vedanta, partook in debate, religious congregations, performed miraculous feats and re-established sacred temples. Whilst writing other philosophical treatises and composing many devotional hymns in praise of Lord Vishnu, he established eight monasteries[4] instructing his direct disciples[5] to undertake and manage.

According to Narayana Panditacharya, Madhvacharya disappeared at the age of seventy nine whilst honoured with a shower of flowers from heavenly deities. According to Madhva tradition, Madhva did not die but is considered to be alive and residing in Badrinatha in theHimalayaswith his teacher and Lord, Vyasa.

The Philosophy of Dvaita Vedanta

Literature

Although the fundamental philosophical structure of Madhva’s dualistic philosophy is based around the prasthana trayi[6], he draws great inspiration and cites endlessly though very selective from other smriti texts, asserting the corpus of smriti texts as an authority but less so to sruti whilst establishing his school of thought.

In contrast to Shankara who almost exclusively cites shruti texts, Madhva recognised that smriti texts with their less metaphysical and philosophical nature, practical application, and establishment of a powerful yet personal being engrossed the spiritual world and its introduction was vital as a reaction towards the impersonal belief system of Advaita.

Madhva’s literary work is a combination of thirty seven works which can be summarised into four main categories collectively known as the sarva mula grantha:

The first category is Madhva’s commentarial works based on the prasthana trayi

1. Prasthana Trayi

Upanishads

Madhva just like his predesessors commented on the upanishads, be it with his own interpretation and charm. His commentary and theological stance were a marked difference between existing schools, however unperturbed he commented on the ten main Upanishads[7]. In his commentary Madhva sets forth dialectical attacks on monistic thought whilst establishing the chief principle of Brahman to be equated with Sriman Narayana and establishing Brahman to be a personal being endorsed with limitless attributes, a stark contrast to the advaitic position of an impersonal being with no attributes.

The most famous commentarial but yet controversial presentation of Madhva’s interpretation is that of the famous phrase ‘tat tvam asi’[8], That you are, unlike previous commentators who have struggled to present the aphorism in a coherent manner conforming to their respective theological stance, Madhva skilfully using his Sanskrit grammatical knowledge separated the phrase to be read as ‘atat tvam asi’, that you are not, thus conforming seamlessly with his  school of thought.

Brahma Sutra

Unlike previous commentators who only had written one commentary on each, Madhva had written four commentaries on the brahma sutras alone, each serving a difference purpose.

The first commentary and perhaps Madhva’s most important work named ‘brahma sutra bhashya’ deals mainly in his theological position whilst simultaneously moving away from previous commenterial styles. The second and third, anu bhashya and nyayavivarana are smaller in size and can be best described as an index to dvaita interpretation and technical formalities of interpretation. The fourth, anu vyakhyana unlike the previous commenatries is known for its unsparing nature in refuting various schools of thought, notably a vehement response to theAdvaiticSchoolof shankara. According to B.N.K Sharma ‘it is undoubtedly a classic in the full sense of the term. It is his magnus opus. It has logic, fire, unity, eloquence and a certain stately music of words’.

Bhagavad Gita

Madhva wrote two commentaries on the bhagavad gita, a bhashya and a  tatparya nirnaya. The former is understood to be Madhva’s earliest work and hence holds considerable historical and philosophical importance to the Madhva community.

The bhashya is brief and precise as possible, whilst quoting from available and rare sources in presenting his views and theological stance. Unlike previous commentators who wrote comprehensive commentaries inacting oppositional questioning and providing answers, Madhva refrained from indulging in such styles but rather highlighted and commented on important areas where he saw necessary, whilst interpreting key points.

The tatparya nirnaya is a later work and in essence a supplement to the bhashya. Whilst expanding points raised in the bhashya, Madhva provides new explanations and interpretations. One can conclude that as the tatparya is a later work, the exposure of people and audience Madhva drew together inevitably changed his style and provided further experience to draw upon whilst commenting on the bhagavad gita a second time.

2. Dasa Prakarana

The dasa prakarana is the collective name given to ten minor works of Madhva in which he presents arguments concerning ontology and epistemology whilst expounding the dvaita system. However due to the monistic and dualistic philosophies of shankara and madhva being contrary to one another, Madhva spends much time refuting the monistic concept dedicating five of the ten works in refuting the advaitic idea.

3. Purana Prasthana

Apart from commenting on the canonical scriptures to establish the orthodoxy of his philosophy he wrote commentarial works on the bhagavata purana, Mahabharata and rig Veda, although the riga veda bhashya per se is a sruti text, contemporary scholars in also include this among the purana prasthana.

4. Other Works

Besides the commentaries and treatises dealing with the metaphyiscs of his school, Madhva composed numerous hymns in praise of God and other practical doctrines which still play a role in Madhva Vedanta today.

Supreme Divinity

According to Madhva Vedanta, Brahman is equated only to Lord Visnu, the only independent reality, who transcends all creation, ‘who is cognisable in all his uniqueness only through the right scriptures, who wholly transcends the kshara [individual souls] and akshara [Sri Lakshmi] and who is flawless and abounds in all excellent attributes’[9].

Madhva declares that Lord Visnu is the main deity and topic of worship for the scriptures whilst asserting him to be the underlying creator and controller of the animate and inanimate world. Furthermore, unlike previous philosophers who state that the multitude of beings and matter emanate from a divine being, Madhva holds to the fact that individual souls and matter are actually eternal and hence do not emanate or come into existence but naturally exist eternally.

Individual Soul

Madhva explains that the individual soul and Brahman are different; his explanation is based on the Vedic injunctions that declare that Brahman is non-dual, eternal, changeless and indivisible and hence individual souls emanating from Lord Visnu would be illogical, thus presenting the idea that souls pre-exist rather than be created.

In addition to this, the philosophy introduces a classification hierarchy and categories of souls whilst explaining that each individual soul, eternal and blissful in nature, is distinct from any other whilst dependent on Lord Visnu in attaining liberation.

Reality

Opposing Shankara’s view that reality is a mere illusion and a designation of a state of relative reality; Madhva accepts the world to be wholly real and created on the request of Lord Visnu by his consort Sri Lakshmi.

Similar to the logic presented earlier of distinct individual souls, Madhva establishes the same framework for material creation where no two objects are essentially the same.

Madhva asserts that reality in essence is composed of three basic principles, the supreme divinity designated to Lord Visnu, who alone is the only independent entity and two dependent realities, individual souls and matter.

In essence the Madhva schools system of reality is based on sheer realism where all elements and components of his realist philosophy are arranged hierarchically where some components have more authority and power than others, whilst some individual souls are destined to have increased capabilities over others.

Liberation

For Madhva, the individuals’ devotion supplemented by karma and gyana, as well identifying their position in the hierarchy[10] is the best way to achieve Liberation. Unfortunately Madhva elaborates that although the above maybe true, he discourages aspirants to learn on their own but rather learn in an institutionalised environment with an appropriate guru. He then further goes onto to detailing that although the aspirant may now have guru prasada, the individual must obtain the assistance of Madhva, the third incarnation of Vayu, to gain Visnu prasada.


[1] The wind God
[2] Hanuman, Bhima and Madhva
[3] Bhagavad-Gita, Brahma Sutra and the main upanishads
[4] Palimaar(hrishikesha tirtha), Adamaar(narashima tirtha), Krishnapur(janardana tirtha), Putige(upendra tirtha), Sirur(vamana tirtha), Sode(vishnu tirtha), Kaanur(srirama tirtha), Pejaavar(adhokshaja tirtha)
[5] Hrishikesh, Narasimha, Janardana, Upendra, Vaaman, Vishnu, Adhokshaja
[6] Bhagavad-Gita, Brahma Sutra and the main upanishads
[7] Aitreya, Brihadaranyaka, Chandogya, Isavasya, Kena, Katha, Mandukya, Mundaka, Satprasna, Taitirriya
[8] Chandogya Upanishad 6.8.7
[9] Srimad Vinsu Tattva vinirnaya  – the complete ascertainment of the nature of Visnu verse 1
[10] Taaratamya

The copyright of the article Dvaita Vedanta – The philosophical school of dualism is owned by the Jigyasa Team. Permission to republish in print or online must be granted by the author in writing.